La spiritualità nell’arte contemporanea: Claudio Parmiggiani

Massimo Recalcati

doi:10.6092/issn.2038-6184/10089

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Massimo Recalcati Associazione Lacaniana Italiana di psicoanalisi

Massimo Recalcati, one of the most famous Italian psychoanalysts, is a member of Associazione Lacaniana Italiana di psicoanalisi. He directs Irpa (Institute of Applied Psychoanalysis Research) and founded in 2003 Jonas Onlus (Center for Psychoanalytic Clinic for New Symptoms). He writes for “la Repubblica” and teaches Psychopathology of eating behavior at the University of Pavia. He has published several books, translated into different languages, including Ritratti del desiderio (2012), Jacques Lacan. Desiderio, godimento e soggettivazione (2012), Non è più come prima (2014), L’ora di lezione (2014), Le mani della madre (2015), Il mistero delle cose (2016), Contro il sacrificio (2017), Il segreto del figlio (2917), A libro aperto (2018), La notte di Getsemani (2019).

DOI:

https://doi.org/10.6092/issn.2038-6184/10089

Keywords:

Claudio Parmiggiani, contemporary art, spirituality, religious sentiment, Jacques Lacan

Abstract

The text takes up almost literally, except for some inevitable formal changes, the content of the Lectio magistralis held by the author on June 2019 in Reggio Emilia at the church of San Filippo Neri in Reggio Emilia. The article examines the relationship between Claudio Parmiggiani’s work and the dimension of spirituality: “That which is spiritual of Parmiggiani - the author writes - is a spiritual rooted in the immanence of life, in the mystery of life.” In the article several works by the artist are taken into consideration: starting from the High Altar of the Cathedral of Reggio Emilia in 2011 going back to the Delocations of 1970.

Spirituality in contemporary art: Claudio Parmiggiani

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