La temporalità dell’opera d’arte e la teoria lacaniana del fantasma

Alessandro Paolo Lena

doi:10.6092/issn.2038-6184/8368

The temporality of the work of art and Lacan’s phantasy theory

Authors

Alessandro Paolo Lena Independent Researcher
Alessandro Paolo Lena holds an MA in Visual Arts from the University of Bologna (2018). His research interests include the temporal life and afterlife of artworks; the persistence and revival of antique modalities in Renaissance, modern and contemporary art; as well as the relations between image theory and psychoanalysis, with a focus on Jacques Lacan’s teaching.

DOI:

https://doi.org/10.6092/issn.2038-6184/8368

Keywords:

phantasy, Lacan, temporality, Nachleben, Warburg

Abstract

This article examines the complex temporality of the work of art in relation to Jacques Lacan’s theory of phantasy. To this end, temporal models alternative to that of linear chronology are investigated: on the one hand Lacan’s notion of phantasy and its relation to the wrinkled temporality of the subject; on the other Aby Warburg’s model of Nachleben in which images embody the discontinuous and impure time of the survivals.

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Published

2018-07-16

How to Cite

Lena, A. P. (2018). The temporality of the work of art and Lacan’s phantasy theory. PsicoArt – Rivista Di Arte E Psicologia, 8(8). https://doi.org/10.6092/issn.2038-6184/8368

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Vol. 8 No. 8 (2018)

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The temporality of the work of art and Lacan’s phantasy theory

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